Hope Land

The Problematic Contemporaneity of the Museum of Contemporary Art, Yinchuan

TEXT 撰文 x BY GONG ZHIYUN 龚之允 Museums in China have problematic identities, and their museological practice can be experienced differently than those institutions in the West. The Yinchuan Museum of Contemporary Art (Yinchuan MoCA, Fig. 1), which opened in 2015, is an example of the controversial identity of museums in China. Its planning and


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