當眼睛開始懷疑自己 ——走進埃舍爾的錯覺世界
Few artists make you question your own eyes even as you look. Walking into M.C. Escher: The Exhibition at the Somerset House, that feeling sets in almost from the first step. Installation view. M.C.Escher : The Exhibition.
不急於被看見：凱瑟琳·蘭伯特談尤恩·烏格洛
I still remember the summer of 2024, standing before Euan Uglow's work for the first time at Hazlitt Holland-Hibbert. The paintings were not loud, one could even say they were quiet. And yet that quietness held something irresistible. I remember
親密的褶痕
What does intimacy look like in the contemporary age? How does it feel, and how receptive are we to it? The intimate image is protected by law, by tech encryption, by trust, and by agency. Yet, what we see, the
在喧嘩中，留一間可以呼吸的房間 ——與八木澤里志談《森崎書店的日子》、人與人之間的距離與停下的勇氣
I moved through the crowds of the London Book Fair with a black tote bag over my shoulder. It had been handed to me in passing as I walked past a publisher’s stand. The publisher’s name was printed on it.
喬·尼科爾斯:「武士的意義，因人而異」
What is a samurai? The question sounds simple enough — and yet, as Joe Nickols, Project Curator of the British Museum's exhibition Samurai, is quick to point out, it has no clean answer. "Samurai are many things to many people,"
