Hepworth in Colour
赫普沃斯:以色入形

Still Life Theatre: Yang Yang’s Observation, Structure and Photographic Method
靜物劇場：楊陽的觀察、結構與攝影方法

Frida Kahlo: The Making of an Icon
弗里達：一個文化符號的誕生

Henry Moore: Monumental Nature
亨利·摩爾：自然之巨

Watching Has Only Just Begun: M.C. Escher and the Visual Traps of Spectacle Culture
觀看才剛剛開始：M.C. 埃舍爾與景觀時代的視覺陷阱

The Museum That Moves — Shaped by the Sea
美術館在路上——《海之所塑》

Marilyn Monroe: A Portrait
瑪麗蓮·夢露:肖像誌

M.C. Escher: When Your Eyes Begin to Doubt Themselves—— In Conversation with Arthemisia
M.C. 埃舍爾：當眼睛開始懷疑自己 ——对话展览幕后 Arthemisia

How a Picture Book Became a Museum——A Visit to the Quentin Blake Centre for Illustration
一本繪本如何長成一座美術館——走進昆廷·布萊克插畫藝術中心

In No Hurry to Be Seen: Catherine Lampert on Euan Uglow
不急於被看見：凱瑟琳·蘭伯特談尤恩·烏格洛

Complicating Intimacies in the Bliss
親密的褶痕

Light, Mist and Nocturnes: Whistler’s Vision of Modernity
光、霧與夜曲：惠斯勒的現代之眼

They Made China More Beautiful —— Women, Craft, and the Aesthetics of Everyday Life at the China Pavilion of London Craft Week
她們讓中國更美麗 ——倫敦工藝周中國館中的女性、工藝與生活美學

A Room to Breathe Amid the Noise ——Satoshi Yagisawa on Days at the Morisaki Bookshop, the Space Between Us, and the Courage to Pause
在喧嘩中，留一間可以呼吸的房間 ——與八木澤里志談《森崎書店的日子》、人與人之間的距離與停下的勇氣

Castle Howard: A Baroque Drama Across Three Centuries
霍華德城堡：跨越三百年的巴洛克戲

Reconstructed Scripts: The Curatorial Practice of Mengqi Ye
重構的劇本:葉夢琦的策展實踐

Perpetual Spring: Seeing, Memory and Renewal in London’s 2026 Spring Exhibitions
四季皆春：2026倫敦春季藝術展覽中的觀看、記憶與重生

Walking Through Folded Space — The Spatial Experiment of Sir John Soane’s Museum
在被折疊的空間中行走 ——約翰·索恩爵士博物館（Sir John Soane’s Museum ）的空間實驗

Chupei Yu’s In Formation: Aesthetic Experience as a Tidal Cycle of Expansion and Containment
于储沛的《In Formation》：作為擴張與收攝之潮汐循環的審美經驗

The Body As Interface: Qishan Li’s World Moves Beyond the White Cube
身體作為界面：李其珊的世界超越白立方

Bridging Worlds: The Curatorial Language of ZHANG Hailun
連接世界:張海倫的策展語言

Joe Nickols: “Samurai Are Many Things to Many People”
喬·尼科爾斯:「武士的意義，因人而異」

Xilichen Hua’s ecofeminism for the digital age
華茜李晨的數位時代生態女性主義

The Magical World of Schiaparelli:When Fashion Becomes a Stage for Thought and Imagination
夏帕瑞麗的魔法世界：當時裝成為思想與想象的舞台

To Care the Unsayable
去照料「不可言說」

Christie’s London Evening Sales Set the Pace for the Season
倫敦佳士得晚間拍賣以1.974億英鎊成交, 雕塑與超現實主義領跑市場

How to Disappear Completely
如何完全消失

A Penguin Modern Classics Year for Mai Jia
中國作家麥家迎來「企鵝現代經典」之年

Vessels, Paths, and Presence: Contemplative Curation by Ruoru Wang
器皿、路徑與在場：汪若如的沉思式策展

Xiao Lu : First Gunshot of Chinese Feminist Art
肖魯:中國女性主義藝術第一槍

Constable’s Quartet: Scale, Language, Experiment, and Time
康斯坦布爾的四重奏：尺度、語言、實驗與時間

Who Is Defining the Future of Publishing?
誰在定義出版的未來？

A Conversation with Dr Cliff Lauson on Wayne McGregor: Infinite Bodies
對話 Dr Cliff Lauson ——《韋恩·麥克格雷戈:無限之軀》

Qingyuan Liang storyboards our inner worlds
梁清源 : 為我們內心世界繪製分鏡

Let there be light, states Fang Liu’s curation
讓光存在:劉芳的策展哲學

Writing a Letter Back to Childhood
我在異國寫給童年的回信

How Is the Body Transformed in the Algorithmic Age? Wayne McGregor: Infinite Bodies
身體如何在算法時代被突破？韋恩·麥克格雷戈：無限之軀

Intimate Transgressions
親密的侵蝕

Turner and Constable: Rivals and Originals
水火不容，還是水火交融？ 泰特不列顛特展：特納與康斯特博：競爭與原創

In Chun Ding’s Cyanotypes, Nature’s Traces Prompt Sensory Reflection
藍曬印記:記憶的觸覺地圖

Interview with Sally Bacon OBE — Education at Goodwood Art Foundation
專訪Sally Bacon OBE:古爾伍德藝術基金會的教育之道

The Season of Art: London’s 5 Unmissable Autumn Exhibitions
藝術之秋 : 倫敦五大不可錯過展覽

Memory as a Window to the Self: The Art of Xiao Ge
葛霄：記憶是通向自我的棱鏡

Mythological Journey—A Dialogue Across Time and Space
神話之旅——穿越時空的對話

Zhengwei Fan:Going Inward
樊征偉:向內而行

Xu Xiaowei : Spacing Memories — A Preview Exhibition at OFOTO gallery for Jimei x Arles International Photo Festival
徐曉偉：記憶空間–集美•阿爾勒國際攝影季預熱展

Ziyi Xiong:Capturing the Fugitive in the Exhibition Space
熊梓伊:捕捉轉瞬即逝的展覽空間

Zesheng Li: Finding faith in the fog
李澤晟:在迷霧中尋獲信仰

Alexandra Baraitser and YU Xiao : She Paints Still
Alexandra Baraitser與余曉：她，繪如既往

Nelson Qin’s Ongoing Mission: Supporting the Next Generation of Artists
Nelson Qin 的持續使命：推動新銳藝術家的发展

The Sharpness of Absence: Images, Global Memory, and ‘Dead to Rights’ (2025)
缺席的鋒利:影像與全球記憶的落差 ——由《南京照相館》引發的追問

A City That Hums, A City Heard Anew–A Journey to the UK City of Culture 2025
聲之所至 : 探訪2025年英國文化之城布拉德福德

The Immeasurable: In Conversation with Jonathan Miles
無法衡量 : 與喬納森·邁爾斯的對話

The Softening of All Edges
當所有邊鋒都變柔和

Bunshin and Becoming: Yoshitomo Nara at the Hayward
分身與孕育：奈良美智倫敦回顧展

Being With–Jenny Saville: The Anatomy of Painting
共在–珍妮・薩維爾 : 解剖繪畫

We Are Born to Love and Be Loved: Rury Lee’s Lifelong Journey with Picture Books
生而為人，就是去愛與被愛：Rury Lee 與繪本的生命練習

Hiroshige: Artist of the Open Road
歌川廣重 : 風景之路

Time Odyssey Launches to Boost Access to Culture for UK Children
「時光奧德賽」啟動：10萬名英國學童將免費踏上文化探索之旅

Echoes of Elegance: Mei Giam on Timeless Jewels
永恆瑰寶 : 專訪珠寶專家Mei Giam

Bridging Cultures: Chinese Art Academics at Sotheby’s Institute
跨文化對話 : 中國藝術學者走訪蘇富比藝術學院

Brilliance Beyond Jewels: Cartier at the V&A
璀璨不止於珠寶：卡地亞的藝術篇章

Timeless Odyssey: Interview with Riera i Aragó
永恆的奧德賽:專訪里埃拉·伊·阿拉貢

The Art of Chenxi Xu: Fragments Adrift
許晨茜——浮光碎影

Darkened Recesses–Goya to Impressionism:Masterpieces from the Oskar Reinhart Collection
幽影深處——從戈雅到印象派:奧斯卡·萊因哈特收藏傑作展

Henri Michaux: The Mescaline Drawings
昂利·米肖:致幻繪畫

Unveiling the Roden Centre for Creative Learning
羅登創意學習中心全新開幕——體驗藝術與創意的無限可能

Book Review :
Yin Zhaoyang : Landscape into Shanhe
書評 :《尹朝陽:山河形勝》

Tirzah Garwood: Beyond Ravilious
蒂爾莎・加伍德 :
獨立於拉維利厄斯之外，譜寫自己的藝術

Monet and London: Views of the Thames–Meditations and Impressions
《莫奈與倫敦：泰晤士河之景——冥想與印象》

Lychee One :
Fragments of the Elsewhere

Sun Ganlu:
A Thousand Miles of Rivers and Mountain

Marlene Dumas: Mourning Marsyas
瑪琳·杜馬斯:《哀悼馬爾西阿斯》

The World of Tim Burton
蒂姆·伯頓的世界

Michael Craig-Martin: Adding Up 1 to 10
Michael Craig-Martin: 從一加到十

Material Worlds:
Contemporary Artists and Textiles
材質世界:當代藝術家與紡織藝術

Wallace Chan Unveils Unseen Jewellery and Sculpture Masterpieces “Fish in Waves” and “PETALS”
陳世英展示未曾公開的珠寶和雕塑傑作《魚躍浪花》與《花瓣》

Van Gogh: Poets and Lovers
梵高:詩人與戀人

Silk Roads
絲綢之路長幾許? ——大英博物館特展
《八方絲路：萬里共芳華》

Faith in Vision:
Dual Exhibition of Fan Zhen & Xie Shan
視覺的信仰⸺范禎與謝⼭雙個展

Hockney and Piero: A Longer Look
霍克尼與皮耶羅:悠遠的凝視

Bao Rong : the Art Hopper
包蓉 : 跳躍在邊界的藝術蹦客

Jiachen Zeng : Mermer
曾佳辰 : 莫莫

Oscar Murillo: The Flooded Garden
(Waves, folds, and surges)
奧斯卡·穆里略:被淹沒的花園

Manque, Objet petite ‘a’
空缺，慾望「a」

Anthony McCALL:
SOLID LIGHT

Jose Antonio Suarez Londono :
One Year

Maarten Van Aken: In Search of Liminal Space
馬騰·範·阿肯: 尋找那些隱匿的閾限空間

Embodied Rebellion:Artistic in Deconstructing Social Norms
具身反叛 : 結構社會規範的一次表達

Barbie®: The Exhibition

Francis Alÿs: Ricochets

Yoshida: Three Generations of Japanese Printmaking

Tavares Strachan: There is Light Somewhere
塔瓦雷斯·斯特拉坎：某處有光

Book Launch: The Conformed Body: Contemporary Art in China

Heart Lab: “Can You Afford to ‘Pay’ Attention?”

Venessa Bell: A Pioneer of Modern Art
瓦妮莎·貝爾:現代藝術的先驅

Michelangelo:the last decades
米開朗琪羅:最後幾十年

Euan Uglow: An Art of Enduring Stillness
尤恩·烏格洛: 恆久靜謐的藝術

Angel with a Gun: Homage to Guy Brett

Pass Through: Expressionists at Tate Modern
穿越：泰特現代美術館的表現主義

YOKO ONO: Music of the Mind
小野洋子 : 心靈之樂

Always container, sometimes contained: A dialectics of outside and inside
「始終是容器，時而被容納」，外與內的對答

UNZIP PROJECT｜UNZIP the art, SPARK the part
2024北京當代藝術博覽會

The Joy of Connecting the West and East
連接東西的情樂

Mandy Zhang Art: New Forces in Asian Contemporary Art
專訪張潔伊——推動亞洲當代藝術新勢力

Saatchi Yates: Tesfaye Urgessa
薩奇雅茨:特斯法耶·烏爾蓋薩

Fun for All : Affordable Art Fair Returns to Hampstead Heath in May 2024

The Three Legs of Drawing: A Sketch
素描的三條腿：草圖一則

Sculpture on the Edge
邊緣雕塑

Expressionists: Kandinsky, Münter and the Blue Rider
表現主義者：康定斯基、芒特與藍騎士

Wallace Chan: Embrace and Exceed
擁抱與超越——專訪藝術先行者陳世英

On Age, Infusion and Narrative Texture : Encountering Marie Ma’s performance with Chinese Tea and Ceramics
關於時間、注入和敘事結構–邂逅麻利關於中國茶與陶瓷的藝術表演形式

Frank Auerbach: The Charcoal Heads
弗蘭克·奧爾巴赫：炭筆頭像

Decade of Elegance: The V&A Museum Witnessed Charlene Classic’s Ten Years of Splendour
英國V&A博物館見證軒靈十載風華

Saatchi Gallery: RONG BAO IS ME
包蓉是我

Affordable Art Fair Battersea Spring 2024: A Springtime Celebration of Contemporary Art
Affordable Art Fair 2024 : 當代藝術的春季慶典

Impressionists on Paper: Degas to Toulouse-Lautrec

Yan Xie: Mindful Curation for Healing and Mentally Engaging Exhibitions
謝琰:觸感與慾望的非同策展實踐

Mapplethorpe : Beauty and the devil are the same thing.

Dancing with Water : Women’s Cinema from Contemporary China
與水共舞:中國當代女性電影展

Self-Portraits–Autumn Exhibitions in London 2023
自畫像：2023倫敦秋季展

Strangers: Daido Moriyama and Hiroshi Sugimoto
陌生人:森山大道與杉本博司

Interview with Thierry Noir: Painting a World Where Imagination Breaks Down Walls
專訪特里·諾爾——繪制一個打破想象力邊界的世界

Audrey Miao : Exploring the poetic in a world where digits intertwine with perception
在數字與感知交織的世界中探索詩性

Philip Guston: Doomed
菲利普·古斯頓：註定失敗

Interview with Fang Lijun—— Exploring Portraits and Porcelain
專訪方力钧——探索面孔与陶瓷

 Dreamscape Estuary: A Tapestry of Asian Artistic Mythology
夢河入海：編織亞洲藝術的神話

The Brink
塵埃之盡

Chinese Art Today: From 20th-Century Tradition to Contemporary Practice
《文明的形狀:走向當代的中國藝術研究》

Frieze London 2023: Celebrating 20 Years of Artistic Excellence
弗里茲倫敦2023:二十載藝術華章

Thierry Noir:Techno
特里·諾爾:電音

BOUNDLESS: TRANSITIONS

Jen Ting:Dancing with Inner Demons
裴振庭
: 與心魔跳舞

Gabrielle Chanel:Fashion Manifesto
香奈兒小姐的時尚宣言

Digital Reality in the Post-Pandemic Era: Zhengwei Li’s New Perspectives and Explorations
後疫情時代的數字現實：李錚維的新視角與探索

Third World: The Bottom Dimension
第三世界：底層維度

David Hockney: Bigger & Closer (not smaller & further away)
大衛·霍克尼：更大更近（而不是更小更遠）

London Craft Week 2023–Weaving Taiwan
2023倫敦工藝週之台灣館:編織多元文化

Interview with Annabel Bai Jackson: All Walks of Life by Alice Neel
專訪安娜貝爾·杰克遜——愛麗絲·尼爾的社會眾生相

Interview with Evan Pricco: Constant Conversation between Street and Gallery
專訪埃文·普里科：街頭與畫廊的持續對話

New New New World by Arjan Guerrero
阿爾讓·格雷羅的新新新世界

Interview with Erin Li——From Shadow to Spotlight : Women Artists and Global Abstraction
專訪李伊寧——滄海遺珠：女性藝術家與全球抽象藝術

Mike Nelson: Extinction Beckons
Mike Nelson: 逝去的召喚

Donatello: Sculpting the Renaissance
多納泰羅：塑造文藝復興

Omar El Lahib
奧馬爾·拉赫布個展

Interview with Per Rumberg: Little Spain at Royal Academy of Arts
專訪Per Rumberg——美術館裡的小小西班牙

Lucky Number 8 – The Group Show of Chinese Contemporary Art
Lucky Number 8 – 中國當代藝術群展

Strange Clay: Ceramics in Contemporary Art
奇怪的黏土：當代藝術中的陶瓷

Lynette Yiadom-Boakye: Fly In League With The Night
Lynette Yiadom-Boakye:「與夜晚一起飛翔」

瀚思閣觀點 | 11月全球藝術季之東成西就

瀚思閣觀點 | 秋起雙城——Frieze London & Paris+

Making Modernism: discovering pioneering women of Modernism
創造現代主義：發現現代主義先鋒女性藝術家

Lifeforms by Universal Everything
Universal Everything——「生命形式」：歡樂的互動體驗

瀚思閣觀點 | 威尼斯雙年展2022：另外一種聲音——是夢還是夢想？

THE EY EXHIBITION: CEZANNE
EY特展：塞尚

Objects of Desire: Surrealism and Design 1924-Today
慾望之物：1924 年至今的超現實主義與設計

Invisible Pull: Xuan’s Art World on Canvas
無形的張力: 張璇的畫布世界

瀚思閣觀點｜紐約撤消拍賣監管條例,藝術界會出現哥譚市嗎？

CORNELIA PARKER
科內莉亞·帕克

Liste Art Fair Basel 2022
2022 瑞士巴塞爾 Liste 藝術博覽會

Yage Guo: The Moth Disturbs The Night
郭雅格:擾夜之蛾

The First Half of 2022 Art Auction : Continuing
2022上半年藝術拍賣：未完待續

The London Masterpiece Fair 2022
倫敦巨匠臻藏藝博會2022

Design Miami/Basel 2022 – 第16屆邁阿密/巴塞爾設計展

Documenta 15
第十五屆卡塞爾文獻展

TEFAF Maastricht 2022
2022 歐洲純藝博覽會

Art Basel 2022
2022 瑞士巴塞爾藝術展

Jiá Fèng
夹缝

Reframed: The Woman in the Window
重置：窗中的女人

WE CAN’T DO THIS ALONE | An Interview With Danielle Brathwaite-Shirley 
我們無法獨自完成：專訪藝術家Danielle Brathwaite

Colour Theatre: Taiwan Fiber Crafts
2022 London Craft Week
2022倫敦工藝週 「色彩劇場-臺灣纖維工藝展」

The Credit Suisse Exhibition: Raphael
拉斐爾

Francis Bacon: Man and Beast
弗朗西斯·培根: 人與獸

Van Gogh Self-Portraits
梵高自画像

Postwar Modern: New Art in Britain 1945 –1965
戰後現代：1945-1965 英國新藝術

The Art of Banksy
班克西的藝術

Amazing China
技藝中國

Beyond Borders 2020
Online Exhibition

Picasso 1932 – Love, Fame, Tragedy
畢加索1932：愛、 名譽和悲情

What is the mysterious disappearance of the paintings given to Chairman Mao by the great Communist Party member Picasso?
偉大的共產黨員畢加索送給毛主席的畫作為何神秘失蹤？

Nam June Paik
白南準:擁抱了大眾傳播與新科技的視覺藝術家

Tim Walker: Wonderful Things
蒂姆·沃克: 美妙物什

Royal Academy of Arts: Antony Gormley
皇家藝術研究院：安東尼·葛姆雷

Interview: FORTNUM’S X ZHANG ENLI
採訪：福南 X 張恩利

“自由之美”中英少兒美術作品交流展
Beauty of Freedom Children’s Art Show

Queen Victoria’s Palace, Summer Opening of Buckingham Palace
維多利亞女王的宮殿

北京當代2019亮點搶先看

北京當代2019 | 北京當代畢加索之夜

Olafur Eliasson: In real life
奧拉維爾·埃利亞松：現實生活

Unconscious Landscape Works from the Ursula Hauser Collection
无意识的风景——乌苏拉·豪瑟收藏展

Kiss My Genders
親吻我的性別

Afterimage: Dangdai Yishu at Lisson Gallery
餘像：當代藝術@里森畫廊

Cindy Sherman’s First UK Retrospective
英國首次辛蒂·雪曼大型回顧展即將開幕

Nanhai I and other Important Shipwrecks
Symposiums, Exhibitions and Publications on Maritime Silk Roads in Recent Years

Interview with Martin Clayton
與英國皇家收藏版畫素描部主任馬丁·克雷頓的訪談

AI: More than Human@Barbican Centre London
倫敦巴比肯中心《人工智能：超越人類》

Prada我認識，曹斐我認識，蔡徐坤是誰？坤坤代言Prada背後的陰謀論？

Who is KAWS ？
優衣庫賣的KAWS到底是誰？英國人搶不搶？

Prunus Vases, Porcelain Stools and Ritual Vessels
梅瓶、繡墩和禮器

Andreas Gursky: Redefining Photography
安德列斯‧古爾斯基：重塑攝影

Cathy Wilkes for the British Pavilion at 58th La Biennale di Venezia
英國文化教育協會揭幕第58屆威尼斯雙年展英國館凱茜·威爾克斯作品

An Investigation of Chinese Ceramics Discovered in Kenya and Major Conclusions

All Too Human: Bacon, Freud and a Century of Painting Life
人性充盈:培根、弗洛伊德及百年寫生史

Modigliani – Exhibition at Tate Modern
泰特現代美術館《莫迪里阿尼》

The Eternal Puzzle Behind the Thousand Years Old Chinese Painting “Spring Outing”
《虢國夫人遊春圖》背後的千古謎題

Marc Quinn: Under the Skin (1)
馬克·奎恩：皮相之下 (上)

The Existential Paradox
A Personal View on Violet March’s Video Art

Who is Banksy: Uncover the Mystery of the Identity of the Most Mysterious Artist
揭秘班克西：今世最神秘藝術家班克西的身份之謎

Demystifying the Death of Van Gogh
揭秘梵高之死

Van Gogh and Britain
梵高與英國

Hunsand Space: Qiu Shijie @Hong Kong Art Basel 2019
拾萬空間：仇世傑@香港巴塞爾藝術博覽會

Long March Space @ Art Basel Hong Kong 2019
長征空間@香港巴塞爾2019

Rosetta Stone: Why is it the treasure of the British Museum?
羅塞塔石碑：為什麼它是大英博物館的鎮館之寶？

Only Human: Photographs by Martin Parr
馬丁·帕爾：以人為題，只為人

Beyond Boundaries
超越邊界

Marc Quinn: Under the Skin
馬克・奎恩：皮相之下

China Design Centre at Collect 2019: the International Art Fair for Modern Craft and Design
國際工藝設計展2019上的中國設計中心

Black Dots
陸超 | 黑點

Franz West and His Punk Aesthetic
弗朗茲·韋斯特與他的朋克美學

Bill Viola / Michelangelo: Life, Death, Rebirth
比爾·維奧拉、米開朗琪羅：生、死与重生

Christian Dior: Designer of Dreams
克裏斯丁·迪奧：夢之設計師

Recent Researches and Exhibitions on Ming Dynasty Porcelain Outside China
近年海外明代瓷器研究和展覽舉要

5 Must See Art Exhibitions in 2019
2019年不可錯過的五個展覽

Whitechapel Gallery–On Now
白教堂畫廊：在展展覽

Royal Academy of Arts to Celebrate 250th Birthday
皇家藝術研究院250周年慶

The Stories Behind International Joint Production
國際聯合創作背後的故事

Modern Dance and Traditional Chinese Calligraphy Can Be Combined So Perfectly
原來現代舞和傳統書法可以結合得如此完美

Recent Researches and Exhibitions on Ming Dynasty Porcelain Outside China
近年海外明代瓷器研究和展覽舉要

Review of Diary of a Madman

Dorothea Lange: Politics of Seeing
多羅西亞·蘭格：政治的見證