永恆的奧德賽:專訪里埃拉·伊·阿拉貢
Bluerider ART Mayfair London 20th March - 18th May 2025 Like a messenger from a dream, the machine drifts lightly through the folds of time and space—at once familiar and strange—radiating a quiet, mysterious beauty. Barcelona-based artist Riera i Aragó employs seemingly ordinary
幽影深處——從戈雅到印象派:奧斯卡·萊因哈特收藏傑作展
《莫奈與倫敦：泰晤士河之景——冥想與印象》
In the 1950’s and 1960’s London in common speech was called ‘the smoke’. Beginning in late 1899 Claude Monet set up his easel on his hotel balcony and then proceeded to paint views of the River Thames with all its fog-like
瑪琳·杜馬斯:《哀悼馬爾西阿斯》
“But where the danger is, also grows the saving power.” --Friedrich Holderlin “The time of abjection is double: a time of oblivion and thunder, of veiled infinity and the moment when revelation burst forth.” --Julia Kristeva 「在危險之處，救贖的力量也悄然孕育。」 ——弗里德里希·荷爾德林 「厭惡的時間是雙重的：既是遺忘與雷鳴交織之時，也是無限被遮蔽與啟示爆發的瞬間。」 ——朱莉亞·克里斯蒂娃 MARLENE DUMAS, The Enemy,
梵高:詩人與戀人
The Sower, 1888, Oil on canvas, 73 × 92 cm, Sammlung Emil Bührle, on long-term loan at Kunsthaus Zürich, Photo © Kunsthaus Zürich A letter to a friend I was thinking of such things, how one thing becomes
