不急於被看見：凱瑟琳·蘭伯特談尤恩·烏格洛
I still remember the summer of 2024, standing before Euan Uglow's work for the first time at Hazlitt Holland-Hibbert. The paintings were not loud, one could even say they were quiet. And yet that quietness held something irresistible. I remember
在喧嘩中，留一間可以呼吸的房間 ——與八木澤里志談《森崎書店的日子》、人與人之間的距離與停下的勇氣
I moved through the crowds of the London Book Fair with a black tote bag over my shoulder. It had been handed to me in passing as I walked past a publisher’s stand. The publisher’s name was printed on it.
喬·尼科爾斯:「武士的意義，因人而異」
What is a samurai? The question sounds simple enough — and yet, as Joe Nickols, Project Curator of the British Museum's exhibition Samurai, is quick to point out, it has no clean answer. "Samurai are many things to many people,"
夏帕瑞麗的魔法世界：當時裝成為思想與想象的舞台
Walking into the V&A’s galleries feels less like entering a fashion exhibition and more like stepping into a carefully orchestrated dream. The exhibition is titled Schiaparelli:Fashion Becomes Art — a proposition that unfolds not through theoretical exposition, but through the narrative
對話 Dr Cliff Lauson ——《韋恩·麥克格雷戈:無限之軀》
Wayne McGregor:Infinite Bodies is a landmark exhibition by internationally acclaimed choreographer Wayne McGregor, presented at Somerset House as a highlight of the institution’s 25th anniversary programme. Conceived not as a retrospective but as a forward-looking inquiry, the exhibition positions choreography
