觀看才剛剛開始：M.C. 埃舍爾與景觀時代的視覺陷阱
The first thing to greet you in Somerset House's M.C. Escher: The Exhibition is the deep crimson of the galleries — a colour that deepens the mystery already surrounding Escher. What we tend to remember most readily about him are,
當眼睛開始懷疑自己 ——走進埃舍爾的錯覺世界
Few artists make you question your own eyes even as you look. Walking into M.C. Escher: The Exhibition at the Somerset House, that feeling sets in almost from the first step. Installation view. M.C.Escher : The Exhibition.
不急於被看見：凱瑟琳·蘭伯特談尤恩·烏格洛
I still remember the summer of 2024, standing before Euan Uglow's work for the first time at Hazlitt Holland-Hibbert. The paintings were not loud, one could even say they were quiet. And yet that quietness held something irresistible. I remember
親密的褶痕
What does intimacy look like in the contemporary age? How does it feel, and how receptive are we to it? The intimate image is protected by law, by tech encryption, by trust, and by agency. Yet, what we see, the
在喧嘩中，留一間可以呼吸的房間 ——與八木澤里志談《森崎書店的日子》、人與人之間的距離與停下的勇氣
I moved through the crowds of the London Book Fair with a black tote bag over my shoulder. It had been handed to me in passing as I walked past a publisher’s stand. The publisher’s name was printed on it.
