visionary

  The purpose of the editorial team for introducing this gallery is to give more weight to the emerging Chinese artists rather than the established ones. Some artists intrigues us for their re-appropriation of mid-1990s Cynical Realism and Political Pop, and their particular focus on figural and women paintings. 本期介紹國王街畫廊的目的在於讓新崛起的藝術家得到更多的關注,而不僅僅只將注意力集中在像 俸正傑和王廣義這些已經成名的藝術家身上。吸引我們編輯團隊注意的是一些新興藝術家重新運用了90年代中期的玩世現實主義和政治波普藝術的元素,另一些則著重在人體和女性的藝術創作。 Situated in the gallery …