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Buckminster Fuller

The Stories We Tell – Performance Artists As Curators
我們講述的故事——作為策展人的行為藝術家

In many cases artists whose practice is predominantly performance based, are recognised by the autobiographical tone of their work. Using identity as a primary credential, this article will address the consequence and expectations in terms of how certain performance artists are often framed, marketed and dramatically characterised within the wider discourse; a path that

                   

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