David Roberts ART Foundation
大衛·羅伯茨藝術基金會


A: Would you like to highlight any particularly remarkable pieces in the collection?

V: I was thinking about that all this morning. I was thinking about modern art and its relation to the concept of the masterpiece, and about conceptual art in relation to masterpiece. Modern art was all about the masterpiece, while conceptual art was originally against the idea of masterpiece. Referring to the collection, I try to think what are the masterpieces of this collection. Damien Hirst, ‘The Adoration’, which is an installation from 2007, in which for the first time he’s using gold; Hans Bellmer, a work from 1936, where he refers to

Marcel Duchamp. It’s quite extraordinary . I would say Louise Bourgeois’s sculpture from 2007. And many other works by Philip Guston, Cindy Sherman, Bruce McLean, Thomas Houseago, Martin Boyce, John Latham, and so on. Mark Manders’ sculpture is quite good also, I would say Kris Martin, the big sculpture we had downstairs, is a masterpiece. Matthew Day Jackson, ‘ The Map of London’, is one of the highlights of the collection.

A:你能推薦一些藏品系列中最為突出的作品嗎?

V:我整個早上都在思考,怎樣的作品才能算得上是傑作呢?因為現代主義藝術裡傑作的概念在當代藝術語境和概念之中是截然不同的,當代藝術從某種意義上來是反對現代主義或者是反對傑作這個概念的(我們應該是一些重要作品)。所以從我們的藏品系列裡,我會挑達明安·赫斯特(Damien Hirst)的《崇拜(The Adoration)》,2007年創作的裝置藝術,這是他第一次用純金做的作品;漢斯·貝爾默( Hans Bellmer )一件1936年的作品, 是一件向馬歇爾·杜尚( Marcel Duchamp )致敬的重要作品。還有露易絲·布爾喬亞(Louise Bourgeois2007年的雕塑作品,還有菲利普·古斯頓(Philip Guston)、辛迪·舍曼(Cindy Sherman)、布魯斯·麥克林(BruceMcLean)、托馬斯·毫斯戈( Thomas Houseago )、

馬丁·博艾斯( Martin Boyce )以及約翰·拉散姆(John L atham)等藝術家的作品。馬克·曼德斯(Mark Manders)的雕塑非常出色,我認為樓下畫廊裡的大型雕塑作品《克利斯·馬丁( Kris Martin )》是一個傑作, 馬修··傑克森(Matthew Day Jackson)的《倫敦地圖( The Map of London )》也是藏品裡的亮點之一。


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