In the post-pandemic era, where digital lifestyle and remote communication have become integral parts of our lives, artist Zhengwei Li’s recent work delves into the essence of reality during this transformative period.
Within Zhengwei’s paintings, anonymous screens and enigmatic hands serve as symbolic representations of the anonymity prevalent in modern cities. Our lives have undergone profound changes in the digital age, as our memories are now stored digitally, information is transmitted seamlessly, connections are forged across time zones, and physical distances are shortened. However, this surge in digitalization has also led to a detachment from our innate connection with nature. While this user-friendly system has brought convenience, it has also caused misinterpretations, distractions, and heightened feelings of insecurity. The online world grants us access to an abundance of information, expanding our thoughts and at times exceeding the limitations of our physical existence. In Zhengwei’s paintings, screens assume the role of transforming ideas into symbols, illustrating that seemingly mundane electronic symbols and numbers, encountered daily, have acquired additional meanings and significance through human interaction and interpretation. Moreover, the digital language has inadvertently fueled misunderstandings among groups with divergent information sources.
Zhengwei’s recent works navigate the delicate interplay between sensibility and rationality in painting. These pieces explore the elusive boundaries that exist between the digital realm and reality, the interplay of control and unpredictability, the tactile sensations evoked by screens and machinery, and the intangible realities hidden behind these screens. Additionally, the artist’s paintings provoke a fundamental question: How do we experience and navigate time, space, and relationships in our contemporary world?
Through Zhengwei Li’s art, viewers are encouraged to reexamine the evolving nature of our relationship with technology and the impact it has on our perception of reality. These works beckon us to reflect upon the convergence of our digital existence with the physical world and the profound implications it holds for our experiences of time, space, and human connections.
In some of Zhengwei’s works, you can see a recurring motif emerges—the figure of a monster, an amalgamation of diverse animalistic characteristics. This figure is the artist’s sense of speculation and uncertainty about another person who is behind the screen. The audience cannot directly judge their situation, mood, and specific characteristics of this image. This figure encapsulates the prevalent themes of misunderstanding and confusion that permeate our daily experiences of virtual communication.
In an interview, Zhengwei discussed her creative inspiration, which comes from her trans-time-zone life and frequent video calls with family and friends. Time difference, emotional state differences, signal instability, and various technical factors make this kind of online communication full of frustration. During the pandemic, silences, confusion, and misunderstandings in online discussions sparked the artist’s contemplation of the discrepancies between the online world and real life. Zhengwei delved deeply into these emotional experiences produced online and tried to capture the essence of human connection and the challenges people face when trying to bridge the gap between the digital and physical realms through her art. As for future goals, Zhengwei expressed that organizing her own solo exhibition is something she has always wanted to accomplish. She hopes to share her artistic journey and views through the exhibition, conveying the essence of her works and providing audiences with a visually thought-provoking experience. In the long run, Zhengwei aims to delve into installation art, explore different possibilities, and express ideas through immersive exhibitions. She wants to create an interactive environment where the audience can actively participate in her work, blurring the boundaries between traditional painting and audience participation. In addition, the artist has been considering the potential of functional art, hoping to integrate aesthetics with practicality. By incorporating functionality into her creation, her goal is to strike a harmonious balance between visual aesthetics and practicality, enhance the audience’s experience, and provide a new perspective on the role of art in everyday life.
在錚維的繪畫作品中，匿名的屏幕和一隻陌生的手代表了現代城市的匿名性。我們的生活在數字化時代發生了改變，數字設備存檔記憶、傳輸信息、使跨越不同時區的聯繫成爲可能，打破物理距離。 與此同時，它們還將人類自然的感覺被分離。 這個更容易使用的系統正在引起誤解、分散人們的注意力，並增加不安全感。線上世界使我們在人類實體中更大化地汲取信息，擴大了思想上的移動，這樣的生活方式有時甚至超越了人類原本的自然體可以理解的範疇。錚維繪畫中的屏幕將想法轉化爲符號，體現了貫穿我們日常生活的一些看似生硬和電子化的符號與數字在被使用的過程中由於人性化而延伸出了更多的含義和用法。數字語言重組後表達人類自然情感的現象日漸增多，也加大了關注不同信息的羣體之間的誤解。錚維在近期的作品中思考了繪畫中的感性與理性結合的可能性，探索數字與現實之間的微妙界限，機器的可控性與現實的不可控性，屏幕和機器帶給人的觸覺以及屏幕背後不可觸摸的現實之間的聯繫。與此同時，她的繪畫也拋出了一個對於時代的疑問：在今天，我們如何體驗時間，空間，和關係？
Edited 編輯 x Michelle Yu 余小悦