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A Penguin Modern Classics Year for Mai Jia
中國作家麥家迎來「企鵝現代經典」之年

2026年3月10日,北京國際圖書博覽會(BIBF)與中國圖書進出口(集團)有限公司(CNPIEC)在倫敦書展成功舉辦中國著名作家麥家國際專場活動。活動在倫敦書展「Reading China」展區舉行,吸引了來自全球出版界、文學界及媒體代表的廣泛關注,現場座無虛席。 麥家是中國茅盾文學獎獲得者,也是當代中國最具國際影響力的暢銷作家之一。英國《金融時報》曾將其譽為「中國的約翰·勒卡雷」。其作品在中國累計銷量已超過1500萬冊,並在全球範圍持续而廣泛的影響。 今年8月,企鵝現代經典(Penguin Modern Classics)將重新推出麥家代表作《解密》(Decoded)與《暗算》(In the Dark),進一步鞏固其在国际文學市場中的地位。《解密》曾被《經濟學人》評選為「2014年度十大最佳小說」之一,目前已被翻譯成34種語言,在全球读者群体中持續传播。 在當日活動現場上,來自英國出版方企鵝蘭登書屋(Penguin Random House)以及布魯姆斯伯里出版集團旗下 Head of Zeus 出版社的代表,與多位國際文學經紀人、出版人與翻譯家圍繞麥家作品的國際傳播歷程、文學價值與市場表現展開深入交流。麥庭文化董事長、麥家版權總代理閆顏在致辭中對各方長期支持表示感謝。企鵝讀者經典書系編輯總監 Ka Bradley 表示:「我們非常高興麥家加入企鵝現代經典書系。《解密》和《暗算》在緊張懸疑的敘事節奏與深厚的文學內涵之間實現了精妙平衡。能夠將這兩部重要作品再次呈現給新一代讀者,我們深感榮幸。」 多位國際出版與文學界嘉賓亦到場參與活動,包括倫敦書展總監 Emma Lowe、愛丁堡國際圖書節總監 Jenny Niven、牛津布魯克斯大學出版學院院長及教授、牛津文學節顧問 Angus Phillips,以及星格文化創始人、倫敦書展亞太顧問Alicia Liu等,共同見證中國文學在國際出版舞台上的重要時刻。 業內人士指出,隨著越來越多中國作家的作品進入國際出版體系,中國文學正以更加多元和深入的方式參與全球文化交流。倫敦書展作為全球最具影響力的出版貿易平台之一,也持續為中國文學走向世界提供重要舞台。 此次麥家國際專場活動不僅展現了其作品在國際文學舞台上的持續影響力,也體現了中國文學在全球出版版圖中的不斷提升。通過倫敦書展這一國際平台,北京國際圖書博覽會持續推動中國作家走向世界,深化中外出版的交流與合作。 On 10 March 2026, the Beijing International Book Fair (BIBF), in partnership with China National Publications Import & Export (Group) Corporation (CNPIEC), hosted a spotlight session on

Xiao Lu : First Gunshot of Chinese Feminist Art
肖魯:中國女性主義藝術第一槍

“She has long since taken up the fight.” 
— Marianne Pitzen, Director of Frauenmuseum Bonn 「她早已投入這場抗爭。」 —— 瑪麗安娜·皮岑,波恩女性博物館館長 In 1989, at the opening of the China Avant-Garde Exhibition at the National Art Museum of China in Beijing, Xiao Lu fired a gun at her installation Dialogue. At that moment, she did not yet speak the language

Constable’s Quartet: Scale, Language, Experiment, and Time
康斯坦布爾的四重奏:尺度、語言、實驗與時間

Constable’s Six Footers: When Landscape Gains Weight  康斯特博的六英尺:当风景被赋予重量 In British art history, there is a term that belongs almost exclusively to John Constable —— the “Six Footers”. The phrase refers to a group of monumental landscape paintings Constable produced in the early nineteenth century. “Six feet”, in practical terms, means a canvas roughly 1.8 to

Who Is Defining the Future of Publishing?
誰在定義出版的未來?

When “Defining the Future of Creative Content” was announced as the theme of the 2026 London Book Fair, a compelling vision of publishing’s future began to take shape during the fair’s hour-long online press briefing. Supported by comprehensive industry data, the presentation sketched an optimistic picture: rising book sales across genres, expanding global circulation, and

Writing a Letter Back to Childhood
我在異國寫給童年的回信

Shoran Jiang on This Is Art, Art Education, and Cross-Cultural Creativity 姜嘯然談《這才是藝術》再版、藝術啓蒙與跨文化創作   Early autumn in London. The sky stretches wide and clear, not a cloud in sight. Leaves drift and twirl gently as they fall, like a painting slowly unrolling, each stroke tracing the quiet passage of time. On such a tranquil afternoon, we

Memory as a Window to the Self: The Art of Xiao Ge
葛霄:記憶是通向自我的棱鏡

The poetics of memory, longing and diasporic experience take centre stage in Xiao Ge’s practice. Drawing on spatial symbolism and heritage traditions, the multimedia artist–primarily working in video, installation and digital forms—constructs contemplative visual environments where absence, fragmentation, and distance become tools for narration. 記憶的詩意、遷徙的惆悵、流散的體驗,在葛霄的藝術實踐中交織成深邃的景致。這位擅長影像、裝置與數位媒介的創作者,運用空間隱喻與傳承的智慧,構築出令人沉思的視覺場域。在這裡,空缺、碎片與距離都化作敘事的筆墨。 In a video piece, created as part of her series

Mythological Journey—A Dialogue Across Time and Space
神話之旅——穿越時空的對話

“Mythological Journey—A Dialogue Across Time and Space” presents a contemporary artistic interpretation of the essence of Chinese and Western mythology. The featured artists of this exhibition are Irish artist Fion Gunn and Chinese artist Shoran Jiang. The two artists, from different cultural backgrounds, have connected through art in London, engaging in cross-cultural exploration through imagery,

Zhengwei Fan:Going Inward
樊征偉:向內而行

Zhengwei Fan combines layered watercolors and pencil on paper as a meditative form of image-making. With a background in illustration and visual storytelling, the artist has stated that, “Drawing is, for me, a way of dwelling. It is a slow, tactile practice that keeps me close to what is fleeting and fragile.” His practice is

Xu Xiaowei : Spacing Memories — A Preview Exhibition at OFOTO gallery for Jimei x Arles International Photo Festival
徐曉偉:記憶空間–集美•阿爾勒國際攝影季預熱展

The renowned art historian E.H. Gombrich once noted in the second half of the twentieth century, 「Ours is a visual age. We are bombarded with pictures from morning till night.」 This signifies a continuous enhancement in the efficiency of information transmission, with traditional methods of information replication and dissemination, predominantly led by written language, facing

Ziyi Xiong:Capturing the Fugitive in the Exhibition Space
熊梓伊:捕捉轉瞬即逝的展覽空間

Ziyi Xiong’s curatorial focus takes as its subject the liminal intersection of presence and absence, the encounter of the spiritual and the material, the ephemeral and the transcendent. Through her multidisciplinary background in Art Management and Policy Practice, Xiong approaches the exhibition space as an immersive lived experience that not only relies on the emotional

Nelson Qin’s Ongoing Mission: Supporting the Next Generation of Artists
Nelson Qin 的持續使命:推動新銳藝術家的发展

Nelson Qin curates from his drive to discover and give voice to emerging artistic generations and to present their work with and from new perspectives. Challenging the predominance of the white cube exhibition space, Qin seeks to push beyond the limits of conventional static presentation models, experimenting with new approaches while developing a diverse portfolio

The Sharpness of Absence: Images, Global Memory, and ‘Dead to Rights’ (2025)
缺席的鋒利:影像與全球記憶的落差 ——由《南京照相館》引發的追問

From 5 to 11 September 2025, Dead to Rights *1 will screen across multiple UK cities. Centred on a modest photo studio, the film intertwines the brutality of Nanjing in 1937 with the testimony of images. For British audiences, this history does not belong to the familiar landscapes of the Second World War; it appears

The Softening of All Edges
當所有邊鋒都變柔和

Mocube BEIJING Duo exhibition by Jonathan Miles, Xu Chenxi Curated by Deng Ting 09 Aug – 14 Sep 2025 Opening: 4pm, 09 August 2025 In celebration of a decade since its founding, MOCUBE presents The Softening of All Edges, a thoughtful and visually poetic duo exhibition by Jonathan Miles and Xu Chenxi, on view from

We Are Born to Love and Be Loved: Rury Lee’s Lifelong Journey with Picture Books
生而為人,就是去愛與被愛:Rury Lee 與繪本的生命練習

In the world of Korean picture books, Rury Lee (이루리) is often hailed as an idol of the genre. A writer, translator, editor, and publisher, Rury co-founded the publishing house BookGoodCome with his wife, Lee Soon-Young. Together, they have devoted themselves to creating and publishing picture books that bring comfort and healing to readers. His

Hiroshige: Artist of the Open Road
歌川廣重 : 風景之路

The British Museum Presents Ukiyo-e Master Exhibition: Hiroshige and the “Open Road” Between Cultures In 2025, the British Museum launches Hiroshige: Artist of the Open Road, a landmark exhibition celebrating the life and legacy of Utagawa Hiroshige (1797–1858), one of Japan’s most influential and beloved ukiyo-e masters. This is the first major exhibition on Hiroshige

The Art of Chenxi Xu: Fragments Adrift
許晨茜——浮光碎影

當我們第一次看到許晨茜的作品時,彷彿置身於某種熟悉卻難以言喻的夢境。那些畫面似曾相識,如舊時記憶的微光,在腦海中浮現又迅速隱去。這種介於認知與誤識之間的朦朧感讓人不禁思考:這種熟悉感究竟從何而來?它是視覺經驗的殘影,抑或是藝術史深處的回聲? When we first encounter Chenxi Xu’s work, it feels like stepping into a dream—one that is at once familiar and impossible to name. The images seem to flicker like distant echoes of memory, surfacing for a fleeting moment before dissolving into silence. In this space between knowing and forgetting, a quiet question lingers: Where

Darkened Recesses–Goya to Impressionism:Masterpieces from the Oskar Reinhart Collection
幽影深處——從戈雅到印象派:奧斯卡·萊因哈特收藏傑作展

  A juxtaposition occurs by virtue of the turning of the opening page of the listed works of catalogue for the Oskar Reinhardt Collection at the Courtauld. As both collections were formed in a similar time frame, they find a seamless resonance across the spectrum of works exhibited. The first painting by Goya appears as

Henri Michaux: The Mescaline Drawings
昂利·米肖:致幻繪畫

12th February – 4th June 2025 The Courtauld Gallery This portrait of Henri Michaux (1925) by Claude Cahun, portrays him as his own double. It is an image that draws him into the orbit of Surrealist encounter with connotations of hauntology, de-centred subjectivity, and estranged otherness. Perhaps the double also serves to confirm a relationship

Unveiling the Roden Centre for Creative Learning
羅登創意學習中心全新開幕——體驗藝術與創意的無限可能

As the National Gallery embarks on its third century, a brand-new space for arts education—the Roden Centre for Creative Learning—will officially open to the public on 28th February 2025. As one of the largest dedicated gallery learning spaces in the UK, the Centre will offer a wide range of free artistic activities, including creative workshops

Lychee One :
Fragments of the Elsewhere

Is the elsewhere a discernible place, or a circulation of the potential arrival of place? Anyway, this might be a state that is outside of immediate visibility, but there is nevertheless, a sense of something being there. It might even be the shape of the ‘yet to come’ looking back or a gaze of the

Sun Ganlu:
A Thousand Miles of Rivers and Mountain

The English edition of “A Thousand Miles of Rivers and Mountain” will soon be published by Unicorn Publishing Group, through the agency of China National Publications Import and Export (Group) Co., Ltd. The book is the winner of Chinese Mao Dun Literature Prize, the top honour of literature in China. The original edition of the

Marlene Dumas: Mourning Marsyas
瑪琳·杜馬斯:《哀悼馬爾西阿斯》

“But where the danger is, also grows the saving power.” –Friedrich Holderlin “The time of abjection is double: a time of oblivion and thunder, of veiled infinity and the moment when revelation burst forth.” –Julia Kristeva 「在危險之處,救贖的力量也悄然孕育。」 ——弗里德里希·荷爾德林 「厭惡的時間是雙重的:既是遺忘與雷鳴交織之時,也是無限被遮蔽與啟示爆發的瞬間。」 ——朱莉亞·克里斯蒂娃   Dark, sombre, and stark, this is an exhibition that touches upon a grim tonal

The World of Tim Burton
蒂姆·伯頓的世界

Design Museum 25 October 2024 – 21 April 2025   The Design Museum reveals that its major exhibition on the exceptional career of director Tim Burton has smashed the museum’s record for advance ticket sales. Over 32,000 people have already snapped up their tickets to The World of Tim Burton exhibition — before its opening

Michael Craig-Martin: Adding Up 1 to 10
Michael Craig-Martin: 從一加到十

Michael Craig-Martin Main Galleries,Royal Academy of Arts 21 September – 10 December 2024 1) This is an exhibition purely consisting of relationships to objects, and then mostly of objects close at hand or familiar. Rather than being arrangements of objects which are of the genre of still life, they are instead assemblages that are detached

Van Gogh: Poets and Lovers
梵高:詩人與戀人

  A letter to a friend I was thinking of such things, how one thing becomes something else to create yet another sensation of place. This is the work of an artist seized by a passion to be in this world but also to discover the yet to be encountered. Thus, the artwork invariably presents

Silk Roads
絲綢之路長幾許? ——大英博物館特展
《八方絲路:萬里共芳華》

Silk Roads British Museum 26 September 2024 – 23 February 2025   絲綢之路,從小學起就學過,知道它蜿蜒曲折,是中西方交流貿易的重要通道。但是絲綢之路到底延伸到哪裡?絲綢之路連接了哪些地方,又帶來了多大的影響?大英博物館特展《八方絲路:萬里共芳華》一一為觀眾呈現了出來。 The Silk Road is something we have learned about since primary school—its winding, meandering path, and its role as an important route for trade and cultural exchange between East and West. But where exactly does the Silk Road extend? What places does

Hockney and Piero: A Longer Look
霍克尼與皮耶羅:悠遠的凝視

National Gallery Until 27 October 2024 “Images embrace us: they open up to us and close themselves to us in so far as they conjure up in us something that we could call an interior experience.” –Georges Didi Huberman 「圖像包圍著我們:它們向我們敞開,也對我們關閉,彷彿在我們內心喚起了一種可以稱為『內在體驗』的東西。」 ——喬治·迪迪·於貝爾曼     The exhibition, Hockney and Piero: A Longer Look, is organised around a

Bao Rong : the Art Hopper
包蓉 : 跳躍在邊界的藝術蹦客

Rong Bao, one of the most prominent emerging contemporary artists from China’s new generation, is a true ‘art hopper’ leaping between mediums with bold creativity. Her work spans sculpture, painting, video, and installation, where she transforms the everyday into something extraordinary. Bao reshapes familiar objects to expose the absurdities and contradictions hidden in daily life.

Jiachen Zeng : Mermer
曾佳辰 : 莫莫

Curious and explorative, the Mermer series delves into the everyday and mundane feeling so commonly experienced in our technological world, but enhanced by the pandemic: our direct facing and relationship with screens. While the total lack of colour and the black and white nature of the paintings emphasise the contrast between the projected light on

Anthony McCALL:
SOLID LIGHT

Anthony McCall:Solid Light Tate Modern 27 June 2024 – 27 April 2025   “I find that I am now asked a particular question that used not to come up: ‘Are you making sculpture or are you making films?’ The way that this question is phrased puzzled me for some time, for it seemed to me

Jose Antonio Suarez Londono :
One Year

“Every single thing he owns makes up one great collection. In him this passion shows its true face, the stern Indian expression that lingers on, but with a dimmed and manic glow, in antiquarians, researchers, bibliomaniacs. Scarcely has he entered life than he is a hunter. He hunts the spirits whose trace he scents in

Embodied Rebellion:Artistic in Deconstructing Social Norms
具身反叛 : 結構社會規範的一次表達

The interweaving of diverse lines and the direct collision of colours bring about various morphological transformations. The exhibition “BODilY” uses the body as a medium to explore its complexity and diversity through multiple artistic expressions. The body here is a concrete representation of the individual and an abstract symbol of society, culture, and history, becoming

Barbie®: The Exhibition

Barbie®: The Exhibition Design Museum 05 July 2024 – 23 February 2025   The Design Museum currently presents a captivating exhibition celebrating 65 years of Barbie’s design evolution. The exhibition highlights Barbie’s enduring influence and offers a nostalgic and inspiring experience for fans. It emphasizes Barbie’s rich design history, showcasing her as a global icon

Francis Alÿs: Ricochets

“Even a minor event in the life of a child is an event of that child’s world and thus a world event.” –Gaston Bachelard 「即使是孩子生活中的一件小事,也是該孩子世界中的一件大事,因此也是一件世界事件。」——加斯頓·巴什拉 When Phillipe Aries wrote ‘Centuries of Childhood: A Social History of Family Life’(1960) it developed a notion that the concept of childhood was a modern development dating as late as

Yoshida: Three Generations of Japanese Printmaking

19 June – 3 November 2024 Dulwich Picture Gallery, London   This summer, Dulwich Picture Gallery is set to host a landmark exhibition featuring the Yoshida family. Spanning three generations and two centuries, this exhibition will be the first of its kind in the UK and Europe, focusing on the evolution of Japanese printmaking through

Book Launch: The Conformed Body: Contemporary Art in China

The book launch for Professor Jiang Jiehong’s The Conformed Body: Contemporary Art in China, published by Brill, will include a presentation by Professor Jiang Jiehong (Birmingham City University), remarks by Professor Chris Berry (King’s College London) and Dr Wenny Teo (The Courtauld Institute of Art), and a panel conversation moderated by Dr Panpan Yang (SOAS

                   

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