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Education

Artist Studio Operators
藝術家工作室運營者

In London there are a variety of companies and organizations providing artists studio spaces, many of them are non-profit organizations, some are funded by artists, and others receive supports from charities or foundations. Here are some well-known ones for reference. 在倫敦有很多專門為藝術家和藝術機構提供工作室空間的公司和機構,他們大多是非營利性的民間機構,有的是由藝術家出資籌建的,也有的是基於各種慈善性質的基金會支持,我們為大家選取了一些比較有特色的公司和組織,希望能對有興趣和需要的同仁有所助益。 SPACE / 空間 Space is a leading visual arts organization providing creative workspace, advocacy, support

A Complete Workshop and Test Space
完備的車間實驗室

TEXT BY 撰文 x Harry Liu 劉競晨 TRANSLATED BY 翻譯 x Syndi Huang 黃煥欣 IMAGE COURTESY BY 圖片提供 x Gary Woodley 加裡·伍德裡 Gary Woodley, a native Londoner, graduated from London’s Chelsea College of Arts in the 70s, and began teaching at Slade School of Fine Art in the late 80s. His works has been widely

Knowledge Should Be Priceless
知識無價

Interview with Paul Stewart 專訪保羅·斯圖爾特 .     Paul Stewart is an artist and researcher focusing on themes of alternative learning and critical pedagogy. He has a BA (Hons) Fine Art from the University of Lincoln (2011) and also completed an MA in Art and Politics at Goldsmiths (2012). He is the Learning Research Assistant

Everything about Quality
以質為本

Interview with Nixi Cura Programme Director, Arts of China, Christie’s Education, London. 採訪倫敦佳士得美術學院中國藝術項目總監 黃巧巧 . Christie’s Education is the first British institution to offer a Master’s programme devoted exclusively to Chinese art. While acquiring experience in object analysis, students will explore archaeological and historical contexts and the multiple narratives in the story of Chinese art.

Contemporary Circus Education
當代馬戲教育

John Ellingsworth is a writer and editor working in contemporary circus. He runs the website and magazine Sideshow and a company called CRKO working at the intersection of circus and technology. 約翰·艾利斯沃斯(John Ellingsworth) 是專注於當代馬戲的作家和編輯,他創辦了線上雜誌《Sidehow(雜耍)》,還有關注科技與馬戲結合的CRKO公司。 . ART.ZIP: How do you get into contemporary circus? JE: I sort of fell into it. Back in 2006 I started

Dance without Fear 舞者無懼

Interview with Hagit Yakira and Sophie Arstall 採訪海吉特·雅琪拉和蘇菲·阿斯多爾 . Award-Winning Israeli choreographer Hagit Yakira founded Hagit Yakira Dance Company in 2007 and has since gone on to tour the UK, Europe, Scandinavia and Israel. So far she has created seven works for her company amongst many other commissioned works for other companies and students. Hagit Yakira

The Position of Language
至關重要的語言

Interview with Professor Paul Barker Professor and Course Leader of MA Music Theatre Royal Central School of Speech & Drama 採訪皇家中央戲劇與演講學院音樂劇場碩士課程主任及教授 保羅·巴克教授 . Paul Barker is a composer, pianist, director and author. He has worked extensively with singers as composer, MD and coach in opera, musicals and concerts across many genres and styles. He was

Interview with Professor David Bate
大衛·貝特教授專訪

Interview with Professor David Bate Course Leader of MA Photographic Studies Department of Media, Arts and Design University of Westminster 威斯敏斯特大學媒體、藝術與設計學院 攝影學碩士課程主任 大衛·貝特教授專訪 . The MA in Photographic Studies programme at the University of Westminster offers a dynamic and exciting environment for studying independent practice and the critical theory of photography at a masters level.

Interview with Lesley Punton
專訪格拉斯哥藝術學院藝術攝影

Interview with Lesley Punton, Head of BA (Hons) Fine Art Photography (Acting) Department of Fine Art Photography The Glasgow School of Art 專訪格拉斯哥藝術學院藝術攝影本科專業課程主任 萊斯利·蓬托 Text by: Funky He 撰文: 何伊寧 . The Photography Programme at The Glasgow School of Art has an international reputation for excellence. Established in 1982, it was the first programme of

Case Study: Goldsmiths
個案研究:金史密斯學院

Text by: Peng Zuqiang 撰文: 彭祖強 . It is not possible to say that there is such a thing as ‘the best art course’ as each artist has their individual artistic language and as such no single mode of art education can cater for all students – many of whom come from different backgrounds. Still,

The Importance of Transcultural Studies
跨文化學習的重要性

Interview with Andrew Stahl Head of Undergraduate Painting at UCL The Slade School of Fine Art 採訪倫敦大學學院斯萊德藝術學院繪畫本科課程主任 安德魯·斯塔爾 .. Andrew Stahl’s often large-scale paintings approach cultural differences and connections using pictorial language, imagination and figuration. Images become vehicles to carry painterly the experimentation. Much of his work reflects on travels to Japan and Thailand and

Graduate Said
畢業生如是說

Interview with the RCA Graduate Zhenhan Hao 採訪皇家藝術學院畢業生郝振瀚 。 ART.ZIP: Could you tell us about your studying experience in the UK? Why did you choose the RCA? Did you study in Art school in China as well? ZH: I had my Bachelor’s degree of Design in the Central Academy of Fine Arts (CAFA) in China. During

Design with Global Vision
全球化視野的設計

Interview with Professor Miles Pennington Head of Innovation Design Engineering at the Royal College of Art 採訪邁爾斯·潘寧頓 皇家藝術學院創新設計工程課程主任 .     Professor Miles Pennington joined the Royal College of Art in 2002 as a visiting tutor and became senior tutor of Innovation Design Engineering in 2007. He was appointed Head of Department and Professor of

Small College, Huge Influence
小中見大

Interview with Professor Naren Barfield, Pro-Rector (Academic) at the Royal College of Art 專訪英國皇家藝術學院學術院長納仁·巴菲爾德教授 . Naren Barfield is an artist. He has held senior academic positions for several years including leading research in two specialist art and design institutions. He is currently Pro-Rector (Academic) at the Royal College of Art, where he leads the academic direction

Art Education 藝術教育

There are immense differences between Chinese and UK education systems and ideas. Art education, as specific as it is, is no exception. United Kingdom has long been proud of its education systems, and has attracted thousands of international students every year. This reality makes education one major source of income for UK, and the complete,

From Foundation to Future Artists
從“基礎課程”到“未來藝術家”

An Introduction to Foundation courses in British Art Education 一個關於英國藝術教育基礎課程的簡要介紹 “All of this proceeds from a point where Marx reminds us that the ultimate foundation remains living experience, living production…” (Jacques Derrida and Bernard Stiegler, Spectrographies) Text by: Yiou Peng 撰文:彭憶歐 The research department at Tate Modern has dedicated five years to the on-going project ‘Art School Educated’, focusing on the curriculum,

11 Course Leaders: 20 Questions
二十問

11 Course Leaders: 20 Questions – A collection of Interviews with 11 London BA Fine Art Course Leaders 《倫敦藝術課程主任二十問》 Text by: Peng Zuqiang 撰文: 彭祖強 . There seems to be a rather redundant amount of discussion on the future of art education at a higher level. During the age of crisis, one of the most

Drama and Theatre Education
教育戲劇和劇場

Text by: Fresco Su 撰文:蘇毅 Drama, Art Education and Me 我、戲劇、藝術教育 Drama is something intriguing. The first time I participated in it was at the age of twenty-five, when a friend who was the president of a college drama club invited me to play a part. In spite of my minor role as an amorous

Royal Academic of Art Summer Show 2014
皇家美术学院夏季展2014

6月9日—-8月17日 (Jin Xincun) 皇家艺术学院年度夏季展预示着英国夏天的开始。 作为世界上最大的开放式提名制当代艺术展,此次展览为新晋和知名艺术家提供了一个独特的平台,  向国际观众展示他们的作品。参展艺术形式包括绘画、版画、摄影、雕塑、建筑和电影。 今年皇家美术学院收到12,000幅作品。休吉▪多诺霍是作品审查委员会的主要负责人,也是此次展览的专员。审查委员会将筛选出的作品挂在伯灵顿宫的主展厅。今年是艺术家们首次提交数码形式作品以参加初选。展览展出作品超过1200幅,大部分作品公开出售,这为参观者提供了购买到高质量和新兴艺术家作品的机会。  

                   

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