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藝術現場|Art Scene

UNSEEN:Seeing Differently
《未見之境——以不同方式觀看》

This October in Venice, Unseen—a major international group exhibition—reframes vision itself, reaching beyond the visible into the felt, remembered, and imagined. Featuring 20 headline artists including Fion Gunn, Amy Jackson, Shoran Jiang, and Audrey Mullins, the show explores thresholds where sight yields to instinct and memory blurs into suggestion. The lead artists also present 70 …

SYNCHRONIC: Xu Xiaowei in Florence
徐曉偉:共時的存在

SYNCHRONIC: Xu Xiaowei in Florence marks the artist’s first solo exhibition in Europe, bringing over twenty lens-based artworks to Florence. Centred on the core concept of “synchronic existence”, the exhibition captures visual fragments often overlooked in everyday life, using fluid and rhythmically dynamic imagery to construct an organic sense of “breath”. Within this shared frequency, …

The In-between-ness of It All

Yun Wen is an emerging artist who has lived in many different places, from her home town in southwest China, to London via Hong Kong. This is a detail about her that might be considered both superfluous and integral to gaining insight into her artistic practice. As a visual artist, Wen boasts a broad scope, …

Still Life Theatre: Yang Yang’s Observation, Structure and Photographic Method
靜物劇場:楊陽的觀察、結構與攝影方法

For artist Yang Yang, photography is neither emotional release nor storytelling. With a background in finance and risk management, he approaches photography as a calm and restrained form of observation. He examines how people, objects, spaces and behaviours form relationships, while also attending to forms of value that cannot be measured numerically: memory, silence, intimacy, …

Xin Liu, and the Space Between
劉昕:懸置之間

London-based curator Xin Liu is part of a new generation of independent curators who conceive the curatorial framework of an exhibition as an environment where history, identity and art intersect. Moving away from the traditional curatorial approach of presenting artworks as tightly organised and interpreted within a rigid framework in a traditional gallery space. A …

Watching Has Only Just Begun: M.C. Escher and the Visual Traps of Spectacle Culture
觀看才剛剛開始:M.C. 埃舍爾與景觀時代的視覺陷阱

The first thing to greet you in Somerset House’s M.C. Escher: The Exhibition is the deep crimson of the galleries — a colour that deepens the mystery already surrounding Escher. What we tend to remember most readily about him are, of course, those vertiginous images: staircases that arrive nowhere, waterfalls that fold back into themselves, …

M.C. Escher: When Your Eyes Begin to Doubt Themselves—— In Conversation with Arthemisia
M.C. 埃舍爾:當眼睛開始懷疑自己 ——对话展览幕后 Arthemisia

Few artists make you question your own eyes even as you look. Walking into M.C. Escher: The Exhibition at the Somerset House, that feeling sets in almost from the first step.   A Building Made for Escher Somerset House may be the most fitting space in London to host an Escher exhibition. Stairs greet you …

How a Picture Book Became a Museum——A Visit to the Quentin Blake Centre for Illustration
一本繪本如何長成一座美術館——走進昆廷·布萊克插畫藝術中心

If you were to ask British children what they share as a common childhood memory, Quentin Blake’s line work would almost certainly be among the answers. Those seemingly casual, light, almost hurried brushstrokes accompanied generations of British children as they grew up. From Charlie and the Chocolate Factory to Matilda, the wonderfully eccentric characters conjured …

Complicating Intimacies in the Bliss
親密的褶痕

What does intimacy look like in the contemporary age? How does it feel, and how receptive are we to it? The intimate image is protected by law, by tech encryption, by trust, and by agency. Yet, what we see, the medium through which we see it, and the provocation of the experience is mediated through …

They Made China More Beautiful —— Women, Craft, and the Aesthetics of Everyday Life at the China Pavilion of London Craft Week
她們讓中國更美麗 ——倫敦工藝周中國館中的女性、工藝與生活美學

At the China Pavilion of London Craft Week 2026, “craft” was not presented merely as a display of traditional techniques. Instead, the exhibition used garments, textiles, patterns, and materials to explore a deeper question: what constitutes “Chinese beauty,” and how that beauty has been continuously shaped and transmitted through everyday life. Under the title They …

Perpetual Spring: Seeing, Memory and Renewal in London’s 2026 Spring Exhibitions
四季皆春:2026倫敦春季藝術展覽中的觀看、記憶與重生

As the seasons turn and spring quietly arrives, London’s artistic season seems never to follow the passage of time. It remains perpetually in bloom, alive with new beginnings. Across the city’s galleries and exhibition halls, new branches seem to emerge each spring. Here, we step into a new chapter of London’s spring exhibitions in 2026. …

Walking Through Folded Space — The Spatial Experiment of Sir John Soane’s Museum
在被折疊的空間中行走 ——約翰·索恩爵士博物館(Sir John Soane’s Museum )的空間實驗

Among London’s many museums, Sir John Soane’s Museum stands apart. It is neither a space designed for exhibition, nor a historical building retrospectively adapted. Rather, it is a lived environment, constructed by an architect’s own hand. Stepping inside, one quickly realises that what is on display here is not merely a collection of objects, but …

Chupei Yu’s In Formation: Aesthetic Experience as a Tidal Cycle of Expansion and Containment
于储沛的《In Formation》:作為擴張與收攝之潮汐循環的審美經驗

As one steps into Chupei Yu’s In Formation, a group exhibition at 1215 Gallery (Canada), one plunges into an atmosphere of movement and transition. The paintings have an ethical visual language and operate as part of a wider process of engenderment, which engages with complex issues of primal scenes and ancient epistemologies. Conversely, the moving …

The Body As Interface: Qishan Li’s World Moves Beyond the White Cube
身體作為界面:李其珊的世界超越白立方

Qishan Li works across moving image, installations, and photography to position the body not as a static subject, but as a dynamic interface between memory, form, matter, private experience and public inscription. Throughout her practice, the body is never singular. It is a site of negotiation shaped by societal expectations, yet Qishan Li continuously resists …

Bridging Worlds: The Curatorial Language of ZHANG Hailun
連接世界:張海倫的策展語言

Energy in Eastern philosophy is understood as a subtle, vital force that flows through the universe, the body, consciousness and nature. It is a dynamic, interconnected and transformative force that animates life, emphasising balance between opposing forces to achieve harmony and enlightenment. Inside the carefully curated space of the exhibition “In Between”, such energy is …

Xilichen Hua’s ecofeminism for the digital age
華茜李晨的數位時代生態女性主義

Through moving images and sound, digital and mixed-media artist Xilichen Hua establishes new modes of coexistence, responsiveness, and governance. In her four-channel moving image piece Fragile Harmony: An Ecofeminist Call (2026), she takes a distinctly ecofeminist worldview, connecting gendered oppression and environmental destruction. Although the scenery of the films comprising Fragile Harmony take cues from …

The Magical World of Schiaparelli:When Fashion Becomes a Stage for Thought and Imagination
夏帕瑞麗的魔法世界:當時裝成為思想與想象的舞台

Walking into the V&A’s galleries feels less like entering a fashion exhibition and more like stepping into a carefully orchestrated dream. The exhibition is titled Schiaparelli:Fashion Becomes Art — a proposition that unfolds not through theoretical exposition, but through the narrative of objects arranged across space and light, inviting visitors to arrive at that understanding …

To Care the Unsayable
去照料「不可言說」

To paint is, in itself, an act of care. Family photographs that have drifted into the second-hand market are stripped of the relations and memories once attached to them. Passing from one owner to another, they lose their sense of belonging, and slip into the state of the unsayable. It is here that Yang Xinan …

Christie’s London Evening Sales Set the Pace for the Season
倫敦佳士得晚間拍賣以1.974億英鎊成交, 雕塑與超現實主義領跑市場

London’s March auction week opened at full throttle. After Sotheby’s delivered a white-glove Modern & Contemporary Evening Sale the night before, attention shifted swiftly to Christie’s, where the house staged a marathon evening combining three auctions on 5th March: 20th/21st Century: London Evening Sale, The Art of the Surreal Evening Sale, and Modern Visionaries – …

How to Disappear Completely
如何完全消失

Text by Michael Kurtz   Safehouse 1 is a terraced house off Rye Lane. While much of Peckham is fast gentrifying, the building has been kept in a state of suspense – rented out for exhibitions and film shoots for over a decade and meanwhile left slowly to decay. As described on the venue website, …

Xiao Lu : First Gunshot of Chinese Feminist Art
肖魯:中國女性主義藝術第一槍

“She has long since taken up the fight.” 
— Marianne Pitzen, Director of Frauenmuseum Bonn 「她早已投入這場抗爭。」 —— 瑪麗安娜·皮岑,波恩女性博物館館長 In 1989, at the opening of the China Avant-Garde Exhibition at the National Art Museum of China in Beijing, Xiao Lu fired a gun at her installation Dialogue. At that moment, she did not yet speak the language …

How Is the Body Transformed in the Algorithmic Age? Wayne McGregor: Infinite Bodies
身體如何在算法時代被突破?韋恩·麥克格雷戈:無限之軀

Entering the exhibition hall of Wayne McGregor:Infinite Bodies, the human form is reconfigured through technological elements, visual effects, and sound. Body, movement, dance, technology, Wayne McGregor has spent three decades exploring the subtle transformations between the human body and technological forces. As Resident Choreographer of The Royal Ballet, Artistic Director of Studio Wayne McGregor, and …

Intimate Transgressions
親密的侵蝕

1-21 November 2025 InJoy Art Space, Shanghai   Intimate Transgressions is an international group exhibition initiated and curated by Fion Gunn. It aims to collaborate with artists worldwide who are concerned with equitable expression for individuals and collectives, women’s rights in particular. Through unique artistic languages, the exhibition reveals phenomena of infringements upon women’s rights …

Turner and Constable: Rivals and Originals
水火不容,還是水火交融? 泰特不列顛特展:特納與康斯特博:競爭與原創

Turner & Constable — Rivals & Originals Tate Britain 27 November 2025 – 12 April 2026   One of the most extraordinary coincidences in the history of British landscape painting is undoubtedly the near-simultaneous appearance of J. M. W. Turner (1775–1851) and John Constable (1776–1837). Born less than a year apart, the two artists opened …

The Season of Art: London’s 5 Unmissable Autumn Exhibitions
藝術之秋 : 倫敦五大不可錯過展覽

Frieze Week may have come to an end, but London’s art pulse shows no sign of slowing. From under-the-radar gems to major blockbusters, our editorial team has selected five must-see exhibitions that prove the city’s creative energy extends far beyond the fair. Frieze藝術週雖已落幕,但倫敦的藝術脈動仍在持續。從隱而不顯的珍藏到眾人矚目的大展,我們精選出五個值得關注的展覽,因為這座城市的創意熱度遠不止於藝博會的一週。   Kerry James Marshall: The Histories  Royal Academy of Arts  20 September …

Memory as a Window to the Self: The Art of Xiao Ge
葛霄:記憶是通向自我的棱鏡

The poetics of memory, longing and diasporic experience take centre stage in Xiao Ge’s practice. Drawing on spatial symbolism and heritage traditions, the multimedia artist–primarily working in video, installation and digital forms—constructs contemplative visual environments where absence, fragmentation, and distance become tools for narration. 記憶的詩意、遷徙的惆悵、流散的體驗,在葛霄的藝術實踐中交織成深邃的景致。這位擅長影像、裝置與數位媒介的創作者,運用空間隱喻與傳承的智慧,構築出令人沉思的視覺場域。在這裡,空缺、碎片與距離都化作敘事的筆墨。 In a video piece, created as part of her series …

Mythological Journey—A Dialogue Across Time and Space
神話之旅——穿越時空的對話

“Mythological Journey—A Dialogue Across Time and Space” presents a contemporary artistic interpretation of the essence of Chinese and Western mythology. The featured artists of this exhibition are Irish artist Fion Gunn and Chinese artist Shoran Jiang. The two artists, from different cultural backgrounds, have connected through art in London, engaging in cross-cultural exploration through imagery, …

Zhengwei Fan:Going Inward
樊征偉:向內而行

Zhengwei Fan combines layered watercolors and pencil on paper as a meditative form of image-making. With a background in illustration and visual storytelling, the artist has stated that, “Drawing is, for me, a way of dwelling. It is a slow, tactile practice that keeps me close to what is fleeting and fragile.” His practice is …

Xu Xiaowei : Spacing Memories — A Preview Exhibition at OFOTO gallery for Jimei x Arles International Photo Festival
徐曉偉:記憶空間–集美•阿爾勒國際攝影季預熱展

The renowned art historian E.H. Gombrich once noted in the second half of the twentieth century, 「Ours is a visual age. We are bombarded with pictures from morning till night.」 This signifies a continuous enhancement in the efficiency of information transmission, with traditional methods of information replication and dissemination, predominantly led by written language, facing …

Ziyi Xiong:Capturing the Fugitive in the Exhibition Space
熊梓伊:捕捉轉瞬即逝的展覽空間

Ziyi Xiong’s curatorial focus takes as its subject the liminal intersection of presence and absence, the encounter of the spiritual and the material, the ephemeral and the transcendent. Through her multidisciplinary background in Art Management and Policy Practice, Xiong approaches the exhibition space as an immersive lived experience that not only relies on the emotional …

Nelson Qin’s Ongoing Mission: Supporting the Next Generation of Artists
Nelson Qin 的持續使命:推動新銳藝術家的发展

Nelson Qin curates from his drive to discover and give voice to emerging artistic generations and to present their work with and from new perspectives. Challenging the predominance of the white cube exhibition space, Qin seeks to push beyond the limits of conventional static presentation models, experimenting with new approaches while developing a diverse portfolio …

The Softening of All Edges
當所有邊鋒都變柔和

Mocube BEIJING Duo exhibition by Jonathan Miles, Xu Chenxi Curated by Deng Ting 09 Aug – 14 Sep 2025 Opening: 4pm, 09 August 2025 In celebration of a decade since its founding, MOCUBE presents The Softening of All Edges, a thoughtful and visually poetic duo exhibition by Jonathan Miles and Xu Chenxi, on view from …

Hiroshige: Artist of the Open Road
歌川廣重 : 風景之路

The British Museum Presents Ukiyo-e Master Exhibition: Hiroshige and the “Open Road” Between Cultures In 2025, the British Museum launches Hiroshige: Artist of the Open Road, a landmark exhibition celebrating the life and legacy of Utagawa Hiroshige (1797–1858), one of Japan’s most influential and beloved ukiyo-e masters. This is the first major exhibition on Hiroshige …

Time Odyssey Launches to Boost Access to Culture for UK Children
「時光奧德賽」啟動:10萬名英國學童將免費踏上文化探索之旅

To help bridge the cultural access gap, international charity Art Explora has partnered with the British Museum to launch Time Odyssey. This ambitious programme will offer free museum visits to over 100,000 children aged 7 to 11 across the UK over the next three years. The programme not only covers museum admission but also offers …

                   

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